LP Booklet for “Joy Denalane – Willpower,” Four Music Productions, Sony Music Entertainment, design with and for Marek Polewski
Lettering for “Achmed Beach”
Costume letterings for the band members of “fuffifufzich,” costume design by Camilla Wittig
“Takt Typeface, Regular & Italic,”
used for example here or here,
send me an email if interested in a trial-version
“Henrike Naumann, Merle Vorwald, Tom Bogaert” accompanying booklet for their mutual exhibtion at IKOB, Belgium
“Dryden,” Typeface after Ernst Deutsch-Dryden, together with
Björn Giesecke
“Jorinde Voigt: On Reality,” Publication for Jorinde Voigt, published by Moody Center for the Arts Houston and Hatje Cantz, with and for Marek Polewski
“After Monoculture,” Invitationcard, galerie weisser elefant, curated by Lisa Rosendahl
“(a)BCD,” Invitationcard and Typeface (Granjon)
“All Published Images of Der Kreis” Research on Gay Publications
“Drifting Studio Practice,” Publication for Lonnie van Brummelen & Siebren de Haan, published by Hatje Cantz, together with Matthias Hübner
“And yes I said yes I will Yes,” media for the exhibition curated by Luisa Kleemann and Tabea Marschall
Research on Queer Imagery, “Der Kreis,” Switzerland 1943–1967
“Beethoven: Klavierkonzerte 1–5, Sir Simon Rattle, Mitsuko Uchida,” Vinylbox, published by Berliner Philharmoniker Recordings, with and for Marek Polewski
“Frank Peter Zimmermann: Beethoven, Berg, Bartók” Bookled CD Box, published by Berliner Philharmoniker Recordings, with and for Marek Polewski
“What Day is it Today? – Drawings,” Publication for Katharina Reinsbach and Rahel Goetsch
“Markus Lüpertz, Palazzo Loredan” Publication for Galerie Michael Werner, published by Verlag der Buchhandlung Walther und Franz König, with and for Marek Polewski
“Granjon” interpretation
“Södertälje Hospital,” Newspaper report for Brad Downey, accompanying his work for Södertälje Hospital, Sweden
Research on digital ornamental typefaces
“Bruselles and Tel Aviv,” Leaflet for the exhibition of Irmel Kamp at IKOB, Belgium
Various printed matter for “Bar Sûreté”
“Liebestod,” deufert&plischke, Tanz im August, publication and cover-lettering done at and for Node-Berlin
© 2024 Janis Gildein. All rights reserved.
